Vintage Cartoon Network . . .

The Rocky and Bullwinkle Show," which originally aired from 1959 to 1964. "Aesop and Son" was a segment within this show that featured animated adaptations of Aesop's Fables, with a humorous twist. The series presented moral lessons in a lighthearted and comical manner, combining satire with timeless fables.

Jay Ward, the creator of the show, was

known for his distinctive animation style and witty writing. The writing team included Jay Ward himself, as well as other talented individuals such as Bill Scott and Chris Hayward. Ward's unique approach to animation, characterized by clever wordplay and satirical humor, contributed to the show's success.

The animation for "The Rocky and Bullwinkle Show" and its segments, including "Aesop and Son," was handled by a studio called Gamma Productions. Alex Anderson, Bill Scott, and Jay Ward formed Gamma Productions to produce the show. The team employed a limited animation style, which was cost-effective while still delivering a distinctive and entertaining product.

The characters in "Aesop and Son" were not anthropomorphic animals, much like the other segments of "The Rocky and Bullwinkle Show." Aesop's son served as the central character, engaging in humorous situations that conveyed moral lessons inspired by Aesop's Fables.

In summary, "Aesop and Son" was part of the larger "The Rocky and Bullwinkle Show," created by Jay Ward Productions in the 1960s. The show's distinctive animation style, clever writing, and satirical humor contributed to its lasting popularity and influence on animated television.

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"Blank on Blank" is a web series that started in 2012 that features animated versions of lost interviews with cultural icons and notable figures. The series was created by David Gerlach. Gerlach is a journalist, producer, and founder of Quoted Studios, the organization responsible for producing "Blank on Blank."

"Blank on Blank" takes audio interviews with various personalities, ranging from musicians and writers to actors and cultural figures, and animates them, bringing the conversations to life in a visually engaging way. The animation adds a unique and creative element to the archival interviews, making them more accessible to a contemporary audience.

The series has covered a wide range of interviews with individuals such as Jim Morrison, David Bowie, Jane Goodall, and many others. David Gerlach and Quoted Studios have played a key role in preserving and presenting these insightful conversations through the medium of animation.

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J. Wellington Wimpy, often simply referred to as Wimpy, is a fictional character who originated in the "Thimble Theatre" comic strip created by Elzie Crisler Segar. Wimpy made his first appearance in the comic strip on May 3, 1931. His introduction added a new dimension to the dynamic cast of characters in "Thimble Theatre," which already featured the likes of Olive Oyl and Popeye.

Wimpy's character was conceived as a hamburger-loving, somewhat lazy, and highly opportunistic individual with a penchant for negotiation. His full name, J. Wellington Wimpy, suggests a certain level of sophistication and possibly a higher social standing compared to some of the other characters in the strip. From the very beginning, Wimpy's defining characteristic was his famous catchphrase, "I'll gladly pay you Tuesday for a hamburger today." This line became synonymous with the character and contributed significantly to his popularity.

The character's transition from the comic strip to animated cartoons occurred shortly after his debut in "Thimble Theatre." Wimpy made his first animated appearance in the Popeye cartoon series produced by Fleischer Studios. The first Popeye animated short featuring Wimpy was titled "Popeye the Sailor Meets Sindbad the Sailor," which was released in 1936.(cartoon below).. This marked the beginning of Wimpy's animated journey and solidified his status as a mainstay in the Popeye universe.

Throughout the years, Wimpy continued to be a regular character in the animated adaptations of Popeye. Fleischer Studios and later Famous Studios produced numerous Popeye cartoons in which Wimpy played a prominent role. His insatiable appetite for hamburgers and his humorous interactions with other characters, especially his attempts to obtain food without paying for it immediately, became recurring themes in these animated shorts.

Wimpy's popularity transcended the realm of comics and cartoons, leading to his inclusion in various Popeye feature films, television shows, and other media adaptations. His character retained the essence of the original creation by E.C. Segar, captivating audiences with his unique personality and love for hamburgers.

Over the years, Wimpy's design and characterization evolved with different animation studios and artists, but the core elements of his personality remained consistent. Whether in comic strips or animated cartoons, J. Wellington Wimpy has left an indelible mark on popular culture, becoming one of the most memorable and beloved characters in the world of cartoons.

 The cartoon "Tales of the Wizard of Oz" from 1961 is an animated television series based on L. Frank Baum's classic novel "The Wonderful Wizard of Oz." Here are some key points about the history of this cartoon:

1. Title and Release: The series was titled "Tales of the Wizard of Oz" and was first released in 1961. It is important to note that there were various adaptations and interpretations of "The Wizard of Oz" story in different animated formats over the years.

2. 
   Format: The cartoon was produced in an episodic format, likely with each episode depicting different adventures or stories within the larger narrative of "The Wizard of Oz."

3. Source Material: As mentioned, the source material for this cartoon is L. Frank Baum's novel "The Wonderful Wizard of Oz," which was first published in 1900. The story follows the adventures of Dorothy Gale in the magical Land of Oz.

4. Characters: The cartoon would have featured iconic characters from the original novel, including Dorothy, Toto, the Scarecrow, the Tin Man, the Cowardly Lion, and the Wizard of Oz himself, among others.

   
   
   

5. Style and Animation: The animation style of cartoons from this era often had a distinctive look. It would have been hand-drawn animation, reflecting the technology and artistic techniques prevalent in the early 1960s.

6. Cultural Impact: Animated adaptations of classic stories like "The Wizard of Oz" have often played a significant role in introducing these tales to new generations. The cartoon likely contributed to the ongoing popularity of the Wizard of Oz story.

7. 🙈🙉🙊/BJ

This Cartoon Preceeded The Movie Classic (1930's).... The Wizard Of Oz